| Rajasthan Travel Guide |
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Monuments in Rajasthan |
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| The Jantar Mantar, Jaipur |
The Jantar Mantar was conceived as a quest for discovering the mysteries of the Cosmos. The Jantar Mantar is a corruption of the Sanskrit word yantra mantra meaning instruments and formulae. It was built not only to verify astronomical observations made at Jaipur, but also to stimulate interest in astronomy, which had become enmeshed in theory, superstition and religious jargon. Following the style of an observatory at Samarkand, huge masonry instruments were built, keeping in mind the rules of astronomy, the position of the equator, latitudes and longitudes.
The observatory at Jaipur has the samrat yantra, the jaiprakash yantra, ram yantra and the ‘composite instrument’ includes a sundial and a massive hemisphere on the northern wall.
India, in the early decades of the 18th century was a land to turmoil, the Mughal empire was collapsing, its chiefs were busy in internal quarrels, and the Marathas, Portuguese, British, French and Dutch were fighting for the over lordship of India’s trade and political fortunes. In this age arose a brilliant star on India’s political and intellectual horizon – Maharaja Sawai Jai Singh II, Rajput ruler of Amber, founder of Jaipur, a great builder and ruler and an exceptional astronomer.
Commissioned by Emperor Muhammad Shah, to correct the existing astronomical tables and fix planetary positions anew, Sawai Jai Singh-II, accomplished the task in seven years and for this task, built the first stone observatory in Delhi in 1724 and in Jaipur in 1728. Not only did the masonry instruments suit his purposes, they also satisfied his architectural instincts. Apart from being a permanent memorial to his genius, is secured for him a place along with such distinguished observatory builders like Prince Ulugh Beg, Tycho Brahe and John Flam steed.
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| Hawa Mahal , Jaipur |
Jaipur is a fascinating city but to make the city fascinating, it has great palaces and other structures that are architectural wonders. Look you may from whichever way - houses, shops and havelis - they are all pink. The long crenellated walls protecting the city and the huge gateways guarding the entrance to the city are all in pink. Even the women who come to the city market from their neighboring villages are dressed in pink, gorgeous yellow, red and blue. Men dressed in white dhoti and shirts carry huge magnificent turbans - mostly pink, red and yellow.
Jaipur, like the entire Rajasthan, loves color and pink more often than not. Amidst this riot of colors, the City Palace of Jaipur stands at the center.This royal residence is the tallest structure in the whole complex and received additions from various maharajas till all further additions were ruled out. But even before this, within sixty years of its construction, the City Palace had to accommodate a new extension of the zenana quarters. This was the Hawa Mahal.
To the north of the city's main road intersection, the Badi Chaupad, stands Hawa Mahal - the world famous landmark of Jaipur, the best known specimen of fanciful architecture. Built in 1799 by Sawai Pratap Singh, the aesthete among maharajas, it is an integral part of the City Palace though standing away from the main complex. At first glance it looks rather whimsical in design. From the roadside, where most visitors view Hawa Mahal for the first time, it looks a mere facade. But there is much more than meets the eye.
Views from Hawa Mahal
The upper floors are reached through a ramp rather than the regular stairs, a device to facilitate movement of palanquins carried by servants. This is a less tiresome way as the ramp ascends lazily to the top of the freestanding square tower. Imagine queens and princesses loaded with the heaviest jewelry and covered with the endless yardage of Clothes - skirts and sarees, climbing to the uppermost pavilion heaving and painting for respite from the sweltering summer heat. Here even the May-June winds feel so mild and cool. Jaipur itself appears in all its grandeur, with straight, wide roads, intersections and teeming crowds in the market.
Jantar Mantar looks a collection of mystifying masonry instruments. The City Palace stands apart, surrounded by a maze of courtyards. The Nahargarh fort, perched upon the hill, which slopes down sharply towards the palace, keeps its vigil over the city looks spectacular, a truly fairy-late setting.
Hawa Mahal - Architecture
The facade of the Hawa Mahal has sometimes aroused unfair judgments as 'a baroque folly' and a 'bizarre piece of architecture'. The five storeyed facade encrusted with elegant trellis work on windows and small balconies have 953 niches. Lal Chand Usta who designed the Hawa Mahal had dedicated it to Lord Krishna and Radha but its fanciful structure appealed to the Maharaja who found it ideal for the seraglio.
The pyramidal outline of the structure has one characteristic feature of architecture - symmetry, and, as in Jain temples, uses repetition of motifs to great enhancement of beauty and looks: "The forms employed are familiar enough, but the bays are crammed together, piled and multiplied so that they combine to form a larger version of themselves, in a manner strikingly reminiscent of a temple shikhara". It has been remarked that the Hawa Mahal marks a certain decline in the architectural standards of Jaipur. This may have been the result of the increasing influence of Mughal architecture. Hawa Mahal shows a noticeable similarity with the Panch Mahal - the palace of winds at Fatehpur Sikri.
The beauty of the Hawa Mahal lies in its fragile appearance, which, like a vision, threatens of vanish into thin air. It is, of all buildings in Jaipur, the most romantic and delicate - which cannot be said of some better-known examples of solid architecture.
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| Ajmer-e-Sharief Dargarh, Ajmer |
| TSignificance - Tomb of Muin-ud-Din Chishti.
The final resting place for 'Gharib-Nawaz', Moinuddin Chishti is located in Ajmer. People of all religions visit the Dargah of Khwaja Moinuddin Chishti.
The Khwaja left for heavenly abode in 1256 AD after a six day prayer in seclusion. These six days are celebrated every year as the annual Urs, which is attended by innumerable pilgrims irrespective of their faith. The shrine is considered to be a place of wish fulfillment for those who pray with devout and pure hearts. It is said that Emperor Akbar sought blessings for his son at the Dargah.
The entry to the Dargah is through the Dargah Bazar that leads to the inner courtyard. The high gateway has beautifully carved silver doors. In the courtyard are kept two huge cauldrons with capacity of 2240 kg and 4480 kg. On special occasions, 'Kheer' cooked in these cauldrons is distributed among the pilgrims. The grave of the Sufi Saint is surrounded by a silver railing and is partially covered with a marble screen. The daughter of Shah Jahan had built a prayer room in the Dargah for the women devotees. The premises of the Dargah also has the tomb of Bhishti, tomb of Saint's daughter-Bibi Hafiz Jama, tomb of Shah Jahan's daughter Chimni Begum. |
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