| Attractions in Agra |
|
Jahangiri Mahal
Undoubtedly, the most noteworthy building inside Agra Fort is the Jahangiri Mahal (Jahangir's Palace), which was the principal zenana palace (palace for women belonging to the royal household), used mainly by the Rajput wives of Akbar. A splendid gateway leads to an interior courtyard surrounded by grand halls covered with profuse carvings on stone, heavily fashioned brackets, piers, and crossbeams. One can still spot remnants of decoration in gold and blue done in the prevalent Persian style. |
 |
Jahangiri Mahal mixes Transoxanian (Central Asian) features, such as the verandah on the east front with its high slender columns (a translation into stone of the timber iwan of vernacular Transoxanian architecture), with courtyard halls styled in the broader Gujarat-Malwa-Rajasthan tradition as it had been passed onto the Mughals by the early 16th-century architecture of Raja Man Singh of Gwalior. This exotic medley and adventurous eclecticism suggests a daring approach in architecture. The typically Gujarati brackets-fabulously carved animal and floral motifs-register a dominating effect on the few Islamic features such as the verandah on the eastern front with exquisitely slender pillars facing the riverfront. Jahangiri Mahal is the most important building of the Akbari period in the Agra Fort.
|
Khas Mahal and Sheesh Mahal
Both Jahangir (Akbar's son) and Shahjahan (Akbar's grandson) were enamored of the sensuous effect of white marble; in their quest to make buildings of marble, they demolished many of Akbar's red sandstone structures. In the Khas Mahal enclosure (built by Shahjahan), later Mughal architecture comes of age.
The Khas Mahal is an airy edifice, overlooking the specially laid Angoori Bagh (grape garden; a simple formal Mughal garden). Windows closed with jali (intricately perforated decorative stone screens) present fabulous view of the riverfront. The two copper-roofed pavilions built in the Bengali traditions were meant for prominent ladies of the harem. On three sides of this garden are residential quarters of women. Sheesh Mahal (mirror palace) or the royal hammam (bath) is decorated with myriad glass pieces and a central fountain.
|
Musamman Burj
Musamman Burj is the most romantic, ornamental pavilion wherein lived two most beautiful and powerful Mughal queens-Nurjahan and Mumtaz Mahal. The quality of pietra dura decoration is fabulous and perfect. Here Shahjahan spent his last few years as a captive held by Aurangzeb. Shahjahan languished and dies looking at the Taj Mahal.
|
 |
Brajbhoomi - the land where Lord Krishna was born and spent his youth, has today little towns and hamlets that are still alive with the Krishna- legend and still redolent with the music of his flute. Mathura, a quiet town on the River Yamuna was transformed into a place of faith after Lord Krishna was born here. Vrindavan, a village - once noted for its fragrant groves, is where he spent an eventful youth. There are numerous other little spots in the area that still reverberate with the enchantment of Lord Krishna. |
Diwan-I-Khas
Diwan-I-khas (Hall of Private audience) is a small hall with double marble columns inlaid with pietra dura decoration. Shahjahan built the structure between 1636 and 1637 and it is where the emperor used to receive the important dignitaries. On the terrace, in front of this hall, are two marble thrones. The black throne belongs to Jehangir who, as Prince Salim in rebellion against Akbar at Allahabad, had ordered it for himself. Below this terrace lies the grand courtyard of Machchi Bhawan, meant for the harem functions. On another side stands a small mosque built for Shahjahan by Aurangzeb.
|
|
Diwan-I-Aam
Diwan-I-Aam (Hall of Public audience)
was again a building constructed by Shahjahan who replaced an earlier wooden structure. The arches are covered with white lime polished to a smooth finish. The triple arched royal canopy has lavish pietra dura ornamentation. Here was kept the famous Peacock Throne ordered by Shahjahan. He met officials and commoners and listened to the petitioners in the
|
| Moti Masjid |
| Further north stands the Moti Masjid (pearl mosque), its three domes in white marble raising their heads over the red sandstone wall. Moti Masjid is known for its sheer grandeur and perfect proportions. |
 |
|
| |
